Random posts

• Kung-fu redhead: Somewhere in the mess of neurological pathways I call Karl (when I'm referring to myself in the psychotic third-person) I've managed to equate affection with violence; in other words, if I enjoy someone’s company, I hurt them.
• 12 angry convicts: Drama therapist Zena Daccache talks about her creative remake of 12 Angry Men. The catch? She casts the hardened inmates of Roumieh Prison.
• Wall of piss: Please and kindly, do not urinate on this wall.
• Concrete dreams: There's always a dormant dream in the city, waiting to be brought to life. Nadim Karam is the man bringing the old Beirut back, one forgotten building at a time.
• Evidence: Memory is a fragile faculty, subject to time, lies, alcohol abuse and a hundred different chemical errors that could erase the unforgettable as easily as yesterday’s lunch.
• The gypsy emperor: Michel Elefteriades – guerilla fighter, artist, musician –doesn't even consider himself Lebanese, rather the Emperor of Nowhereistan, a state with no land and where everyone is welcome. Provided they pass the test. Where do we sign up?
• Seed of Zicco: Zicco House is much more than just the poetry readings and concerts at the Samra Bar: it's a launch-pad for the country's most prominent movements, and has become a hub for thinkers and dissidents who dream of change.
• Tone deaf: The best writers write effortlessly; as soon as their hands touch the keyboard their fingers weave pieces of their lives, dreams and that obscure art they saw while stumbling into the trash-bins drunk, on Friday night.
• Road pigs: The leader of the pack (cue 60s music) raised his hand in a fist, and the procession came to a halt. He dismounted his hog like it was a horse, and walked towards the bunny with the largest bosom.
• Twinkle, twinkle: I’ve always had an overactive imagination, and scaring myself half to death with, say, a mental image of Willie’s teeth and bubbling stomach was apparently insufficient. I had to give him a glowing, red eye.
• Art attack: Sandra Dagher believes people care about art. As director of the Beirut Art Center she tries to walk the walk by bringing art to the masses whilst supporting local talent.