Concrete dreams

Nadim Karam

There’s always a dormant dream in the city, waiting to be brought to life. Nadim Karam is the man bringing the old Beirut back, one forgotten building at a time.

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Random posts

  • Garage days: One of the most active organizers in the music industry, Jyad el Murr busies himself with his Instruments Garage, two music stations, and a host of concerts and musical events.
  • Angry mother: Nidal al Achkar is the lead role in the Beiruti theatrical movement. Manager and founder of the Al Madina theater, she offers a center for culture and art in Beirut, even if she herself has lost hope.
  • We're married!: And that's where I've been for the past few weeks. Thank you for all the notes and Facebook comments, we're blessed to have you all as friends.
  • Art attack: Sandra Dagher believes people care about art. As director of the Beirut Art Center she tries to walk the walk by bringing art to the masses whilst supporting local talent.
  • Kung-fu redhead: Somewhere in the mess of neurological pathways I call Karl (when I'm referring to myself in the psychotic third-person) I've managed to equate affection with violence; in other words, if I enjoy someone’s company, I hurt them.
  • Venus attacks: He stops and sniffs his drink. Their eyes lock for half a minute – but men are ill-equipped for these games.
  • Evidence: Memory is a fragile faculty, subject to time, lies, alcohol abuse and a hundred different chemical errors that could erase the unforgettable as easily as yesterday’s lunch.
  • Tone deaf: The best writers write effortlessly; as soon as their hands touch the keyboard their fingers weave pieces of their lives, dreams and that obscure art they saw while stumbling into the trash-bins drunk, on Friday night.
  • Naked Beirut: Creator of the first Middle Eastern erotic magazine, Joumana Haddad flirts with danger, and danger flirts right back. Ten seconds with her and you'll see why.
  • Naked classics: Vanessa Nassar threatens to take the violin, and us with it, to new heights. After watching her carry it, I'm a believer.
  • Stir the pot: Painter and teacher Ghada Saghiyeh has a bone to pick with Beirut. I take a look behind the muted, angry art and into outspoken, angrier woman.

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