For whom the bell tolls
A legend in Lebanese theater, Rafic Ali Ahmad buys me a narghile at the notorious Rawda Cafe and talks about his life.
A legend in Lebanese theater, Rafic Ali Ahmad buys me a narghile at the notorious Rawda Cafe and talks about his life.
Son of Abdel Halim Caracalla, founder and maestro of the Caracalla Dance Theatre, Ivan searches for inspiration all around, and always filters his stories through Caracalla’s oriental voice.
Nidal al Achkar is playing a leading role in the Beiruti theatrical movement. Manager and founder of the Al Madina theater, she offers a center for culture and art in Beirut, even if she herself has lost hope.
Rabih Mroue believes that Lebanese theater is a thankless, sadistic mistress; and success takes time and plenty of passion. Not to mention an aversion to money.
Drama therapist Zena Daccache talks about her theatrical remake of the film 12 Angry Men. The catch? She has cast the inmates of Roumieh. Translated from its original Arabic. You didn’t pick the friendliest of crowds to work in, did you? Working in a prison has its rewards. I love working with people who [...]